Chucktoid: Shaw Controlling Imagery

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. The first image of Shaw in the series (sitting on Beckman’s desk with his face outside the frame) and the first image of Shaw in Castle (with only his …

Read More »

Chucktoid: Shadows

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. On multiple occasions, shadows are also used to imply false or double identities (though sometimes hard to see in the screen caps). The most vivid instance occurs while Sarah …

Read More »

Zachary Levi Returns to Broadway in “She Loves Me”

Zachary Levi returns to Broadway this month in the revival of She Loves Me, the musical romantic comedy inspired by the same French play that produced the movies Shop Around the Corner and You’ve Got Mail. Set in 1930s Europe, the story follows Georg (Zachary Levi) and Amalia (Tony winner Laura Benanti), a pair of bickering perfumery employees who also …

Read More »

Chucktoid: Brushing Off Objects

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. Among the most subtle props used on the show is the action of brushing an object off a character’s person to imply that character’s difficulty in ridding himself of …

Read More »

Chucktoid: Double Entendre

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. Perhaps most of the series’ episode titles utilize double entendre, expressions that can be interpreted in more than one way. “First Class” serves as a typical example. Most obvious, …

Read More »

Chucktoid: Rearranging

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. When characters in “Chuck” rearrange items, the action may well accent an interior, emotional rearrangement occurring simultaneously within that character. Near the start of “Santa Claus”, the camera focuses …

Read More »

Chucktoid: What’s In a Name?

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. What’s in a name? In the case of “Chuck”, often more than you may think. Prior Chucktoids have linked Orion and Frost to the ancient mythological figures they parallel, …

Read More »

Chucktoid: Long-Range Glasses

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. To accent the perspective characters gain in particular episodes, long-range lenses are occasionally used as hand props. In one variation, Chuck, posing as assassin Rafe Gruber (“Fake Name”), uses …

Read More »

Chucktoid: Reflections and Mirrors

This post is part of a series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. A phantom reflection motif permeates the series, most often implying the double lives characters hide from others. In “Helicopter”, the lens focuses on Chuck’s image in the mirror as …

Read More »

Chucktoid: Baggage

Introducing a new series of mini insights into Chuck – Chucktoids, if you will – courtesy of G. Walter Bush, author of Unpacking Chuck and Unpacking Chuck 2.0. When Chuck famously responds to Sarah’s admission that she “may come with some baggage” by offering to be her “very own baggage handler”(Pilot), so begins a baggage motif to figure emotional turmoil …

Read More »